Wait, wasn’t it Dan that didn’t want to wake Alex up? Now I’m confused.
Also, didn’t Dan close the door in panel 2? If he did, then what’s blocking the picture on the wall in panel 4? Just sayin’.
BTW Where are the wraiths. Gaaa! I’m getting antsy. *dancing excitedly while trying to say in chair*
scott there looks to be something wrong with nicole’s sweater near the side of her breast towards the arm it looks like its been stretched to the fringes of being unraveled
Panel four confuses me a little. It’s the only panel that has the lighting coming from her left (and what appears to be the open edge of the door that just got shut?). Maybe if I knew the layout of their room a little better….
If the light source is behind them, then why is the shadow of Dan’s arm -upwards- on his chest? Is there a light on the floor? And I think she means the brown bar covering the last little edge of panel 4. It’s got all the texture of the door that was just shut (including the blinds?) and doesn’t have a mild blur on it like the rest of the background, so it must be foreground? By the angle it looks to me, Dan could hold his arm out straight from where he is and meet that ‘door’ thing at a 40-60 degree angle with his fingertips (give or take his reach by 5 inches or so). So it’s not a shadow…
…. I need to stop talking ‘tech’, I feel like a scrooge now.
Three Stooges! I love teh lighting in this page. How did you do it Scott?
watch out Dan… Nichole has a mischievous look in her eye! 😉
Ah, i feek a plot changing topic coming up.
I think Nichole is going to continue her “apology” and maybe pick things up where they got interrupted…
Wow, Nicole looks like a vixen in that last panel! LOL.
Yepper, she sure does! I think she is about to take the lead and not wait for Dan to make the first move! Bout time!
Good morning everyone! Here’s your daily vote reminder:
http://topwebcomics.com/vote/4274/default.aspx
That is a dirty look she’s giving him in the last panel.
+1
Exactly that!!
Looks like Kiwi will punch us out if we don’t vote.
Cue the rest of the room fading to black ^.^
Wait, wasn’t it Dan that didn’t want to wake Alex up? Now I’m confused.
Also, didn’t Dan close the door in panel 2? If he did, then what’s blocking the picture on the wall in panel 4? Just sayin’.
BTW Where are the wraiths. Gaaa! I’m getting antsy. *dancing excitedly while trying to say in chair*
I was wondering when Nicole would turn up! 🙂
scott there looks to be something wrong with nicole’s sweater near the side of her breast towards the arm it looks like its been stretched to the fringes of being unraveled
I’m guessing the light source is the desk lamp behind them in panel 3, so it’s most likely either Dan’s shadow or Nicole’s
So why’d he say “shhh” on the last page? lol
He’s always been a heavy sleeper, ’cause you know, his brain died.. eh I mean… he’s brain dead.
I can see this is going. As a matter of fact this was kind of an eventuality ever since these two first heated disagreement.
Panel four confuses me a little. It’s the only panel that has the lighting coming from her left (and what appears to be the open edge of the door that just got shut?). Maybe if I knew the layout of their room a little better….
If the light source is behind them, then why is the shadow of Dan’s arm -upwards- on his chest? Is there a light on the floor? And I think she means the brown bar covering the last little edge of panel 4. It’s got all the texture of the door that was just shut (including the blinds?) and doesn’t have a mild blur on it like the rest of the background, so it must be foreground? By the angle it looks to me, Dan could hold his arm out straight from where he is and meet that ‘door’ thing at a 40-60 degree angle with his fingertips (give or take his reach by 5 inches or so). So it’s not a shadow…
…. I need to stop talking ‘tech’, I feel like a scrooge now.
I think that the angle we are looking at, is actually from inside the wall.
Yup. The door accidently got opened in that frame.
Bedroom eyes!
And in the next morning, Alex wakes up covered in magic marker doodles.
Haha! Love this page, Scott.